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Humphrey OceanBlack Stripey Love Chair , 2003-2004Aquatint on Somerset paperPaper Size: 94.6 x 77.4 cm (37 1/4 x 30 1/2 in) + frameAquatint – Editioned by Maurice Payne
Collaboration with the artist: September 2003-October 2004
Editioning: 2006 Edition Size:15 Artist's Proofs:5 BAT:1
Plate size:76.2 x 60.9 cmSeries: Black Love ChairSigned and dated -
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Francis BaconThree Studies of Male Back (Right hand panel of the triptych) , 1987Original Lithograph, in colours, on Arches (watermarked) paper65 x 45 cm - 23¾ by 17⅝ in
sheet: 80.5 x 59 cm - 31¾ by 23¼ in
In a hand-stained moulded wood frame
Framed size: 109 x 88 cm30/99. There were also a small unknown number of “Hors Commerce” and Artists Proofs also made.Signed by the artist in pencil -
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Francis BaconLogique de la Sensation (after Study from the Human Body), 1981Original Lithograph, in colours on Velin Arches paper
Paper & Image size: 17 5/8 x 12 7/8in (44.8 x 32.7cm)
109 x 88 cm framed In a period gilt-wood frame64/150 in pencil, (there were also 25 copies numbered in Roman numerals), There were also 15 artists proofs and a number of HC copies.Signed by the artist in pencil, with the Printers embossed blindstamp (ARTS - LITHO PARIS) -
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Pablo PicassoPortrait d'un Torero (or Portrait d'une Jeune Fille), 1964Original drypoint Etching, Paris, 2/4/1964, on Velin de Rives paper, with full margins
21 1/4 x 15 1/2 in
54 x 39.5 cm
71 x 52 cm (Paper size)
95 x 77 cm framed
The Baer Catalogue states an edition of 50 plus 15 artists proofs. Orozco states that the work was never editioned. Our work shows no edition - but this was common amongst Picasso’s artists proofs which were often merely signed and not annotated as Artists Proofs. The print is scarce but we have found, online, other examples with numbering out of 50 so we take the view of Baer on this..Signed by the artist in pencil -
Pablo PicassoL'Homme au Baton, 1963Original colour linocut, January 15/18th 1963,
On velin Arches watermarked paper, printed in 3 colours (beige, light brown and black from one or more blocks).
25 1/4 x 20 7/8 in
64 x 53 cm
75 x 62 cm Paper Size
108 x 99 Framed
13/50. There were about 20 Artists proofs and 8 trial proofs, some in different coloursDate twice in the print, signed by the artist in pencil
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Pablo PicassoL’Ecuyère et les clowns - Proof in colours , 1957Original Lithograph, In 3 colours Red, Green & Black,
Cannes, 13/12/1957/1961, on Arches watermarked paper, State 3b (The Published State)
20 x 27 1/2 in
50.8 x 69.9 cm
56 x 76.3 cm (Paper size)
67 x 77 cm framed
18/50 - There were also an unknown number of Artists Proofs.Signed by the artist in blue Crayon -
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Pablo PicassoLe Modèle et Deux Personnages , 1954Original 4 colour Lithograph, Green, Blue, Red & Mauve, Vallauris 14/3/1954, on Arches watermarked paper
19 3/4 x 25 5/8 in
50 x 65 cm
Sheet size: 56.5 x 76.5 cm
Framed: 76 x 98 cm41/50 (There were also 6 proofs for the artist & printer)Signed by the artist in pencil -
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