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Pablo PicassoPortrait d'un Torero, 1964Original drypoint Etching, Paris, 2/4/1964, on Velin de Rives paper, with full margins
21 1/4 x 15 1/2 in
54 x 39.5 cm
71 x 52 cms (Paper size)
Framed
The Baer Catalogue states an edition of 50 plus 15 artists proofs. Orozco states that the work was never editioned. Our work shows no edition - but this was common amongst Picasso’s artists proofs which were often merely signed and not annotated as Artists Proofs. The print is scarce but we have found, online, other examples with numbering out of 50 so we take the view of Baer on this..Signed by the artist in pencil -
Pablo PicassoL'Homme au Baton, 1963Original colour linocut, January 15/18th 1963,
On velin Arches watermarked paper, printed in 3 colours (beige, light brown and black from one or more blocks).
Image: width 20 7/8 in
Image: width 53 cm13/50. There were about 20 Artists proofs and 8 trial proofs, some in different coloursDate twice in the print, signed by the artist in pencil
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Pablo PicassoL’ Ecuyere et les clowns - Proof in colours (s.9882), 1957Original Lithograph, In 3 colours Red, Green & Black, Cannes, 13/12/1957/1961, on Arches watermarked paper, State 3b (The Published State)
76.3 x 56 cms (Paper size) ; 69.9 x 50.8 cms (Image size)
18/50 - There were also an unknown number of Artists Proofs.Signed by the artist in blue Crayon -
Pablo PicassoLe Modele et Deux Personnages (s.9867) , 1954Original 4 colour Lithograph, Green, Blue, Red & Mauve, Vallauris 14/3/1954, on Arches watermarked paper
19 3/4 x 25 5/8 in
50 x 65 cm
Sheet size: 76.5 x 56.5 cm41/50 (There were also 6 proofs for the artist & printer)Signed by the artist in pencil

